ART AS IMITATION IN THE RENAISSANCE

In the oil on panel painting, Adam and Eve, the German Renaissance artist Lucas Cranach I conveys the symbolism of a biblical story (the Temptation of Adam), using conventions of resemblance and narrative – the circumstances of an imagined episode and the attributes of the particular biblical event. Within the history of western painting, the principle of imitation was associated with the invention and widespread adoption of single-point perspective, an innovation which, literally and symbolically, underlined the primacy of the artist’s viewpoint. This was a major breakthrough which assisted in ever more convincing illusions of depth and space rendered on a flat surface.

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ART AS IMITATION IN THE RENAISSANCE
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